The television adaptation of Minority Report brought the iconic futuristic world introduced in the film into an entirely new series environment. As Supervising Art Director on Minority Report, my role focused on translating the visual language established in the original film starring Tom Cruise into a contemporary television format while expanding the design to support new storylines and settings. The goal was to retain the sleek predictive technology aesthetic while evolving it for the world of the series.
Working closely with Production Designers Richard Hoover and Michael Joy, I oversaw concept visuals, set design development, prop integration, and graphic design elements across the production. The centerpiece of the show was the large futuristic police headquarters set, which became one of the most visually striking builds of the series. I coordinated a sizable art department team that included concept illustrators, art directors, and set designers while advising on the overall direction of the builds to ensure the design remained cohesive across both the studio environments and the location work.
